Virtual tour
Studio A
Main sound stage
Character: spacious, controlled
Dimensions: L25' x W25' x H20'
Studio B
Primary vocal booth
Character: controlled, dead
Dimensions: L7' x W9'4" x H8'
Studio C
Primary instrument booth
Character: warm, vibrant, lively
Dimensions: L9'6" x W8'5" x H8'
Drag on the image above to look around and click on the white dots to move to that location
Pristine multitrack audio
At the heart of the studio is our proprietary audio/video production rig that is capable of capturing 32 channels, 4 stereo 32 channel sub-mixes for monitoring. What’s even cooler is that our rig is portable ;)
Remote networking
Work with us from anywhere in the world
We conduct remote sessions using Sessionwire, a creative communication suite featuring live video and bi-directional HQ stereo audio passthrough capabilities between our studio and yours.
Connection type: Fibre optic
Download: 100 Mbps
Upload: 100 Mbps
Ping: 3 ms
Features
- Host up to 20 stakeholders at a time
- 4 concurrent HQ Audio streams between studios (2 send, 2 receive)
- Send & receive plugins [AU, VST3, AAX] (Sessionwire subscription required)
- Automute for Talkback mics
- High resolution screen sharing
- Encrypted drag and drop file transfers
- Guest invitation browser link
- Record sessions to your local computer
Four HD camera angles + web cam
Never miss a beat during a live stream session as our auto-director seemlessly cuts between five camera angles that cover the studio.
with realtime auto-director
Equipment & technology
We've applied our 15+ years of experience in media production when carefully selecting our array of hardware with an emphasis toward quality, performance, stability, and simplicity.
Items denoted with an asterisk are portable, meaning we can transport this technology and capability and to other studios, theatres, and other acoustically desirable spaces. Special rates apply, contact us for a quote.
Input
- Antelope Audio Orion Studio Synergy Core (primary) *
- Audient ASP800 & ASP880 w/ Trident console preamps *
- Keith McMillen K-Mix *
- Allen & Heath MixWizard WZ4 16:2 *
- Fostex B-16 1/2" tape machine
Output
- Cranborne Audio N8 system with 4 individual stereo headphone mixes *
- Yorkville nx55p wedges w/ sub-woofer (3) *
- Focal Alpha 50 monitors (2)
- Audio Technica ATH-M50x *
- Sennheiser HD 280 Pro *
Microphones
- AKG C451E (2)
- Audio Technica AT2020
- Kel HM-2D (2)
- Shure SM 57 (3)
- Shure SM 58 (2)
- Shure SM7B
- Shure Beta 52a
- Shure Beta 57a
...
Computing
- Mac Pro (Rack, 2019) running MacOS Ventura 13.6 *
- Processor 3.2 GHz 16-Core Intel Xeon W
- Memory 96 GB 2933 MHz DDR4
- Graphics AMD Radeon Pro W5700X 16 GB
- Storage Sonnet M.2 4x4 Silent PCIe Card (32TB support, 8TB current capacity)
Hardware Effects
- Akai MFC-42 Analogue Filter Module (MIDI programmable)
- Strymon Volante
- Digitech Whammy 4
- Boss SD-1
- Boss Compressor / Sustainer CS-3
- Shaftsbury Duo-Fuzz (clone)
- ProCo RAT
- ElectroHarmonix Big Muff
- ElectroHarmonix Small
- Smallsound/Bigsound Mini (clone)
Software
Logic Pro X
Ableton Live 11
Cycling '74 Max 8
Final Cut Pro X
Software Instruments
- Spitfire Audio BBC Symphony Orchestra Core
- PolyMAX Synth
Software Effects
- Izotope Ozone 11 Advanced
- Waves Abbey Road
- Waves Silk Vocal
- Soundtoys Devil-loc Deluxe
- UAD API Vision Channel Strip
- UAD API 2500 Bus Compressor
- UAD Distressor FET Compressor
- UAD Century Tube Channel Strip
- UAD Teletronix LA-2A Leveller Collection
- UAD Galaxy Tape Echo
- UAD Oxide Tape Recorder
- UAD Pultec Passive EQ Collection
- UAD Pure Plate Reverb
- Sound City Studios Reverb
Video Input
- Blackmagic Decklink 8K Pro: 4 x HD input via broadcast standard SDI input, 1 x monitor out over SDI *
- 4 x Blackmagic HDMI to SDI converters *
- GoPro 4 Silver cameras (4) *
Video Output
- 1 x monitor out over SDI through Blackmagic Decklink 8K Pro
- Four Thunderbolt 3 ports, One HDMI 2.0 port *
Expressive E Osmose
The long-awaited outcome of an ambitious idea borne from a successful Kickstarter campaign in 2019, the Osmose is the first and only of its kind. Both a synthesiser and controller that utilises MIDI polyphonic expression or MPE as it's better known, the Osmose provides multiple dimensions for performance beyond the typical note-on, note-off, and velocity that we've become accustomed to for the last many decades. Some describe it as the synthesiser for string players, but that's an understatement. For deep, complex, expressive, and cinematic instrumentation, we reach for the Osmose.
Elektron Analog Keys
An exquisite four voice analog polyphonic synthesiser with powerful arpeggiator and modulation matrix. There's no other synthsiser like it, both in terms of sound and design. We have a real soft spot for the Analog Keys.
Nord Electro 5D 73
Nord have long been revered for their realistic recreations of piano, organ, and electric keyboard sounds from Fender Rhodes, Hammond, Yamaha and others. We have found that owning the original units to be unreliable and the source of many headaches, so we opt for the Nord because it always works and we love the way it sounds true the the originals.
Novation X-Station
The Novation X-Station, quite literally, does everything. For a unit that's over 20 years old, no other manufacture has dare come along and try to improve on it. We'll be honest, there are nicer sounding synths at the studio but the X-Station is so unique and emblematic of its era that we refuse to sell it and sometimes it just happen to the right keyboard for the job.
Elektron Analog Rytm MK1
You can keep your 808's and 909's, we love the Rytm and believe it will be remembered with similar fondness in 20 years time. 8 voices split over 12 tracks, each one with a synth and sample layer for complete scultping potential. The built-in sequencer, modulation matrix and effects chain are really what sets this drum computer apart from the pack. You already know it from countless modern top 40 electronic and rap songs withour realising it. That hasn't stop us from sneaking it in the indie songs like "Life in Circles" by Music Hall.
Make Noise Co. 0-Coast
If you listen to the bridge on "Ocean Child" by Music Hall, you'll hear exactly what this this semi-modular monophonic synthesiser is capable of. It's great for any quirky or experimental parts in an arrangement but also equally at home as a unique bass synth. Can also be heard arpeggiating in the upper register during the outro of "Guilt" by A Life in Binary.
Synthstrom Deluge
From the small Kiwi company, Synthstrom, comes this one-of-a-kind MIDI sequencer, sampler, synthesiser, drum machine, looper, etc. that serves as the "brain" which orchestrates the menagerie of electronic music equipment we have at the studio. Many ideas get constructed on the Deluge first before we bring them into the computer due to it's quick, no nonsense interface. We've been actively involved in the development of the Deluge since 2018 by suggesting and testing new features. Now, since Synthstrom open-sourced the firmware in 2023 we've been working with the community of software engineers to implement features that make this the best groovebox on the market.
Yamaha Electone D85
The D85 cost about $18,000 in the early 80's and has a lot to show for it, including three instrument layers, a drum machine, bass synthesiser, and rotary speaker. Some electronic music aficionados see it as the cousin to the famous Yamaha CS 80, which was popularised by Vangelis on the soundtracks for Bladerunner and Chariots of Fire, but we think this fully analog beauty needs no comparison. Despite its patina, it is not a "church lady" organ, it's a full band in a box.
- Expressive E Osmose
- Elektron Analog Keys
- Nord Electro 5D 73
- Novation X-Station
- Elektron Analog Rytm
- Make Noise Co. 0-Coast
- Synthstrom Deluge
- Yamaha Electone D85
- Yamaha S90es motif (not pictured)
- Kurzweil ExpressionMate (not pictured)
FPGA Modelling Technology
Modeling analog hardware for the digital domain is nothing new in the world of audio. What separates Antelope Audio's effects from other similar software on the market is the process of measurement and utilisation of FPGA processors for modeling. For every analog-modelled effect in our interfaces, Antelope Audio has disassembled each part of the hardware original and measured the character of every single individual capacitor, transistor, transformer and valve. Only then, the effect is emulated on the programmable FPGA – carrying every single unique non-linearity of the analog unit. This allows us to create effects sounding as close as possible to the original hardware. The purity and complexity of this true circuit modelling is the exacting precision Strangeways aims for. When a signal passes through an analog piece of equipment it is being affected by every single component inside – from the transformers to the valves, capacitors, resistors, and even wires. The magic and character of analog gear hide in its imperfections and in all the non-linearities added by the components. The sound is often altered by unique harmonic distortion, depth, and dimension which unfortunately cannot be replicated accurately with traditional emulation techniques used by software developers. Companies often measure the incoming and outgoing signals from analog gear and try to compensate for the differences with mathematical algorithms. In some cases that may get the effects to respond and sound close to the original hardware, but it’s no more than a mere imitation which is unable to capture the subtleties. Those old methods can’t accurately replicate the subtle non-linearities added to the audio by every single component. We at Strangeways Studios believe those methods are outdated, which is why we invested in Antelope Audio's unique way of achieving these sought after sounds with near-zero realtime latency.
- Neumann TLM 49
- Neumann TLM 103
- Neumann UM 57
- Neumann KM 86
- Neumann KM 184
- Neumann KM 53
- Neumann KM 54
- Neumann u47 (tube condenser)
- Neumann u47 (FET)
- Neumann u67
- Neumann u87
- Neumann CMV 563
- Telefunken ELA M 251
- AKG C12
- AKG C414
- AKG D112
- Røde NT-55
- Shure SM57
- Shure SM7B
- Sennheiser 221
- Sennheiser 441
- Sennheiser MKH40
- Sony C-800G
- Electrovoice RE-20
- DPA Type 4006
- Schoeps CMC6U
- Gyraf Audio IX
- Telefunken V76
- BAE-1073MP
- EMI REDD.47
- RCA BA-31A Germanium
- Pultec EQP-1A
- Pultec MEQ-5
- Pultec HLF-3C
- BAE-1073
- BAE-1023
- BAE-1084
- API 550A
- API 550B
- Olympic Type 69
- Lang-PEQ2
- Neumann PEV
- Neumann W492
- Neumann W495
- SSL 292 Type
- SSL 232 Type
- SSL 242 Type
- SSL O2 Type
- Studer 900 console EQ
- Studer 169 console EQ
- Studer 089 console EQ
- Harrison 32C
- Sontec 432c
- Maag Audio EQ4
- Audio / Baton (Blonder-Tongue Laboratories)
- Filtek MK3
- Abbey Road RS56 Universal Tone Control Unit
- Gyraf Audio XIV
- Universal Audio 1176
- dbx 903
- dbx 160
- dbx 161 Bus Compressor
- Grove Hill Audio Liverpool
- Gyraf Audio Gyratec X
- Universal Audio 176
- Gates Sta-Level Tube Compressor / Limiter
- Altec 436C
- Summit Audio TLA-100A
- Pulsar 1178
- RCA BA-6A
- Fairchild 670
- Empirical Labs Distressor
- BAE 10DCF
- Teletronix LA-2A
- SSL 4K Channel Strip
- Neumann U473A
- Neve 33609/N
- Valley People Gain Brain
- Valley People Dyna-mite
- Valley People Kepex II
- Vari-Speed Tremolo
- Space Flanger
- Marble White AutoWah
- Adaptive Vibrato
- Memory Cat Brigade
- V12 Chorus
- BBD Chorus
- Antares Auto-Tune
- Reel-to-Reel