Virtual tour

Pannellum
Sonor Signature Series

Studio A

Main sound stage

Character: spacious, controlled

Dimensions: L25' x W25' x H20'

Studio B

Primary vocal booth

Character: controlled, dead

Dimensions: L7' x W9'4" x H8'

Studio C

Primary instrument booth

Character: warm, vibrant, lively

Dimensions: L9'6" x W8'5" x H8'

Drag on the image above to look around and click on the white dots to move to that location

Pristine multitrack audio

At the heart of the studio is our proprietary audio/video production rig that is capable of capturing 32 channels, 4 stereo 32 channel sub-mixes for monitoring. What’s even cooler is that our rig is portable ;)

Remote networking

Work with us from anywhere in the world

We conduct remote sessions using Sessionwire, a creative communication suite featuring live video and bi-directional HQ stereo audio passthrough capabilities between our studio and yours.

Connection type: Fibre optic

Download: 100 Mbps

Upload: 100 Mbps

Ping: 3 ms

Features
  • Host up to 20 stakeholders at a time
  • 4 concurrent HQ Audio streams between studios (2 send, 2 receive)
  • Send & receive plugins [AU, VST3, AAX] (Sessionwire subscription required)
  • Automute for Talkback mics
  • High resolution screen sharing
  • Encrypted drag and drop file transfers
  • Guest invitation browser link
  • Record sessions to your local computer

Four HD camera angles + web cam

Never miss a beat during a live stream session as our auto-director seemlessly cuts between five camera angles that cover the studio.

with realtime auto-director

Equipment & technology

We've applied our 15+ years of experience in media production when carefully selecting our array of hardware with an emphasis toward quality, performance, stability, and simplicity.

Items denoted with an asterisk are portable, meaning we can transport this technology and capability and to other studios, theatres, and other acoustically desirable spaces. Special rates apply, contact us for a quote.

Audio i:o

Input

  • Antelope Audio Orion Studio Synergy Core (primary) *
  • Audient ASP800 & ASP880 w/ Trident console preamps *
  • Keith McMillen K-Mix *
  • Allen & Heath MixWizard WZ4 16:2 *
  • Fostex B-16 1/2" tape machine

Output

  • Cranborne Audio N8 system with 4 individual stereo headphone mixes *
  • Yorkville nx55p wedges w/ sub-woofer (3) *
  • Focal Alpha 50 monitors (2)
  • Audio Technica ATH-M50x *
  • Sennheiser HD 280 Pro *

Microphones

  • AKG C451E (2)
  • Audio Technica AT2020
  • Kel HM-2D (2)
  • Shure SM 57 (3)
  • Shure SM 58 (2)
  • Shure SM7B
  • Shure Beta 52a
  • Shure Beta 57a

...

  • sE Z3300A
  • Beyerdynamic M201TG
  • Electrovoice 635a (2)
  • Røde NT2
  • Røde NT3
  • Røde M5 (2)
  • Sennheiser MD 421-ii
  • Sennheiser MD 441-U
  • Antelope Audio Edge Solo Modelling (see below)
  • Antelope Audio Edge Note Modelling (2) (see below)
Processing

Computing

  • Mac Pro (Rack, 2019) running MacOS Ventura 13.6 *
  • Processor 3.2 GHz 16-Core Intel Xeon W
  • Memory 96 GB 2933 MHz DDR4
  • Graphics AMD Radeon Pro W5700X 16 GB
  • Storage Sonnet M.2 4x4 Silent PCIe Card (32TB support, 8TB current capacity)

Hardware Effects

  • Akai MFC-42 Analogue Filter Module (MIDI programmable)
  • Strymon Volante
  • Digitech Whammy 4
  • Boss SD-1
  • Boss Compressor / Sustainer CS-3
  • Shaftsbury Duo-Fuzz (clone)
  • ProCo RAT
  • ElectroHarmonix Big Muff
  • ElectroHarmonix Small
  • Smallsound/Bigsound Mini (clone)

Software

Logic Pro X

Logic Pro X

Ableton Live 11

Ableton Live 11

Cycling '74 Max 8

Cycling '74 Max 8

Final Cut Pro X

Final Cut Pro X

Software Instruments

  • Spitfire Audio BBC Symphony Orchestra Core
  • PolyMAX Synth

Software Effects

  • Izotope Ozone 11 Advanced
  • Waves Abbey Road
  • Waves Silk Vocal
  • Soundtoys Devil-loc Deluxe
  • UAD API Vision Channel Strip
  • UAD API 2500 Bus Compressor
  • UAD Distressor FET Compressor
  • UAD Century Tube Channel Strip
  • UAD Teletronix LA-2A Leveller Collection
  • UAD Galaxy Tape Echo
  • UAD Oxide Tape Recorder
  • UAD Pultec Passive EQ Collection
  • UAD Pure Plate Reverb
  • Sound City Studios Reverb
Video i:o

Video Input

  • Blackmagic Decklink 8K Pro: 4 x HD input via broadcast standard SDI input, 1 x monitor out over SDI *
  • 4 x Blackmagic HDMI to SDI converters *
  • GoPro 4 Silver cameras (4) *

Video Output

  • 1 x monitor out over SDI through Blackmagic Decklink 8K Pro
  • Four Thunderbolt 3 ports, One HDMI 2.0 port *
Instruments
Synthesis
Amplification
Percussion
Strings
  1. Expressive E Osmose
  2. Elektron Analog Keys
  3. Nord Electro 5D 73
  4. Novation X-Station
  5. Elektron Analog Rytm
  6. Make Noise Co. 0-Coast
  7. Synthstrom Deluge
  8. Yamaha Electone D85
  • Yamaha S90es motif (not pictured)
  • Kurzweil ExpressionMate (not pictured)

FPGA Modelling Technology

Modeling analog hardware for the digital domain is nothing new in the world of audio. What separates Antelope Audio's effects from other similar software on the market is the process of measurement and utilisation of FPGA processors for modeling. For every analog-modelled effect in our interfaces, Antelope Audio has disassembled each part of the hardware original and measured the character of every single individual capacitor, transistor, transformer and valve. Only then, the effect is emulated on the programmable FPGA – carrying every single unique non-linearity of the analog unit. This allows us to create effects sounding as close as possible to the original hardware. The purity and complexity of this true circuit modelling is the exacting precision Strangeways aims for. When a signal passes through an analog piece of equipment it is being affected by every single component inside – from the transformers to the valves, capacitors, resistors, and even wires. The magic and character of analog gear hide in its imperfections and in all the non-linearities added by the components. The sound is often altered by unique harmonic distortion, depth, and dimension which unfortunately cannot be replicated accurately with traditional emulation techniques used by software developers. Companies often measure the incoming and outgoing signals from analog gear and try to compensate for the differences with mathematical algorithms. In some cases that may get the effects to respond and sound close to the original hardware, but it’s no more than a mere imitation which is unable to capture the subtleties. Those old methods can’t accurately replicate the subtle non-linearities added to the audio by every single component. We at Strangeways Studios believe those methods are outdated, which is why we invested in Antelope Audio's unique way of achieving these sought after sounds with near-zero realtime latency.

Microphone Models
  • Neumann TLM 49
  • Neumann TLM 103
  • Neumann UM 57
  • Neumann KM 86
  • Neumann KM 184
  • Neumann KM 53
  • Neumann KM 54
  • Neumann u47 (tube condenser)
  • Neumann u47 (FET)
  • Neumann u67
  • Neumann u87
  • Neumann CMV 563
  • Telefunken ELA M 251
  • AKG C12
  • AKG C414
  • AKG D112
  • Røde NT-55
  • Shure SM57
  • Shure SM7B
  • Sennheiser 221
  • Sennheiser 441
  • Sennheiser MKH40
  • Sony C-800G
  • Electrovoice RE-20
  • DPA Type 4006
  • Schoeps CMC6U
Vintage Mic Preamps
    • Gyraf Audio IX
    • Telefunken V76
    • BAE-1073MP
    • EMI REDD.47
    • RCA BA-31A Germanium
      Vintage Equalisers
      • Pultec EQP-1A
      • Pultec MEQ-5
      • Pultec HLF-3C
      • BAE-1073
      • BAE-1023
      • BAE-1084
      • API 550A
      • API 550B
      • Olympic Type 69
      • Lang-PEQ2
      • Neumann PEV
      • Neumann W492
      • Neumann W495
      • SSL 292 Type
      • SSL 232 Type
      • SSL 242 Type
      • SSL O2 Type
      • Studer 900 console EQ
      • Studer 169 console EQ
      • Studer 089 console EQ
      • Harrison 32C
      • Sontec 432c
      • Maag Audio EQ4
      • Audio / Baton (Blonder-Tongue Laboratories)
      • Filtek MK3
      • Abbey Road RS56 Universal Tone Control Unit
      • Gyraf Audio XIV
      Vintage Compressors
      • Universal Audio 1176
      • dbx 903
      • dbx 160
      • dbx 161 Bus Compressor
      • Grove Hill Audio Liverpool
      • Gyraf Audio Gyratec X
      • Universal Audio 176
      • Gates Sta-Level Tube Compressor / Limiter
      • Altec 436C
      • Summit Audio TLA-100A
      • Pulsar 1178
      • RCA BA-6A
      • Fairchild 670
      • Empirical Labs Distressor
      • BAE 10DCF
      • Teletronix LA-2A
      • SSL 4K Channel Strip
      • Neumann U473A
      • Neve 33609/N
      • Valley People Gain Brain
      • Valley People Dyna-mite
      • Valley People Kepex II
      Modulation
      • Vari-Speed Tremolo
      • Space Flanger
      • Marble White AutoWah
      • Adaptive Vibrato
      • Memory Cat Brigade
      • V12 Chorus
      • BBD Chorus
      Special Processing
      • Antares Auto-Tune
      • Reel-to-Reel
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